music ethnography books

Like many non-Indigenous scholars who emphasise the importance of personal relationships and responsibilities in research, Aaron Corn asserts that contemporary ethnomusicology in Australia is driven by an ethos of engagement that seeks to deliver applied and relevant outcomes for the musicians and communities whose lives and cultures ethnomusicologists examine (2009, 22). An introductory piece by Feld (p. 220, this issue) is followed by seven responses to Voices of the Rainforest. In this book, Christopher Poulos provides a step-by-step guide to writing autoethnography, illustrating its essential features and practices with excerpts from his own and others' work. For terms and use, please refer to our Terms and Conditions The key argument here revolves around the concept of subcultural capital. Besides what I mentioned, Thornton argues that individuals become members of a club culture, a scene, or a subculture these terms are all very interrelated by accumulating subcultural capital. Each of these five papers considers cultural contexts viewed by both insiders and the general public as traditionalthree focus on musical genres performed in Central Australian communities, one looks at Chinese Teochew regional culture in its global diasporic context and another considers a Sri Lankan Portuguese Burgher creole-speaking context. In mid-March with an abrupt halt mid-way through their 25th Anniversary North American Tour, the cast of Riverdance had to return to their homes in Ireland, UK, USA, Canada, Spain, Australia, Moldova, Ukraine and Russia. 2 East Arnhem Land Facebook page. For good books to understand Jimmy Carter and his presidency, it's important to understand the context in which he was elected and served as president, argues political scientist Robert Lieberman. A scene is a lot of things: its a group of people, its a shared taste, its a system of rituals, of common values and practices, and its also a place. These essentialist and traditionalising tendencies are an interesting contrast to the historical development of the dance form which reflects processes of creolisation. Take for example workout music: it has become a genre in its own right. The formal aspects of music make it ripe for reification, and this is quite strongly demonstrated in the very act of documentation and archiving that capture essences, that is, particular performances in time which then become reified and referred to cultural products. Within days residents across the country took to their balconies to sing songs in neighbourhood flash mobs, which went viral on social media, a practice quickly taken up by other musicians in Italy and worldwide as lockdowns in other countries followed. Annual Review of Anthropology 41:519-536. Philippe Bourgois. What does she mean by it? By closing this message, you are consenting to our use of cookies. The contribution to reducing intolerance [] teaching respect for difference and the recognition of the advantages of diversity (Citation2019, 28). Denzin and Lincoln (1994) have described the crisis of representation that occurred in the 1980s, when previously settled issues about the assumptions behind the presentation of ethnographic accounts and the criteria used to assess their validity were challenged. Contemporary research into traditional performance practices that centres on engagements with archival recordings can assist with community revitalisation efforts in contexts where musical practices are changing rapidly (Barwick, Green, and Vaarzon-Morel Citation2020). DOI: 10.1146/annurev-anthro-092611-145851. Against the contemporary context in which the COVID-19 pandemic has dramatically altered the ways that musicians can gather and make music together, we consider the question of research on music from interdisciplinary perspectives and the varied positions of researchers, musicians and community members. In many of these approaches, the value to Indigenous worlds is primary and may significantly shape the forms of research contribution (Kovach Citation2010). To learn about our use of cookies and how you can manage your cookie settings, please see our Cookie Policy. Here Edouard Mathieu, Head of Data at Oxford-based research group Our World in Data, recommends books to help readers not only use data to better understand the world, but also make better decisions in daily life. While the circumstances are certainly challenging, it seems a ripe time to reflect on our place as scholars and allies in meaningfully understanding and engaging with these problems and contributing to solutions. Location London Imprint Routledge DOI https://doi.org/10.4324/9781351151320 Pages 232 eBook ISBN 9781351151320 Subjects Arts Share Citation ABSTRACT TABLE OF CONTENTS Particularly powerful is the way that traditional forms find a new home within the context of hip-hop songs and the ways in which hip-hop has the potential to create for its participants traditional community contexts, what one of the performers, Wire MC, calls the modern corroborree. I think anyone can relate to that. Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Africa and examine the ways in which music helps to define the identity of this particular area. On to your first book: what does Tia DeNora argue in Music in Everyday Life? It is rich in exercises to develop an ethnographic writer's talents and surprising in its stories of Chekhov as ethnographer. Obtain permissions instantly via Rightslink by clicking on the button below: If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. Bridging the chasm between sociology and anthropology, it is the leading network for dialogical exchanges between monadic ethnographers and those from all disciplines involved and interested in ethnography and society. Two booths are available by reservation. In this sense scenes give us meaning and they give us identities, a sense of who we are in relation to others. A subculturalist chose a certain music and a certain style because it carried a coherent set of ideological values. Philippe Bourgois. Ethnologyis the systematic collection, comparison, and contrast ofethnographies. In the early months of the COVID-19 lockdowns we noted various musical responses to the shifting global situation: In early March 2020, as the devastation of COVID-19 spread across several countries, a complete lockdown was declared in Italy, which had by this time overtaken China as the country with the most cases and deaths. Faudree, P. 2012. How does music affect the way we behave in society today? His audiovisual release of Voices of the Rainforest and discussions of it (see Feld and other authors, this issue) offer a cogent reminder of the generative (and regenerative) nature of ethnography across time (cf. When using the catalog, we recommend starting your search from the "Advanced Search" tab. 3099067 How does this process occur? Sudiipta Dowsetts paper on hip-hop within Central Australian communities brings home the importance of cultural context and practice in studies of music, focusing particular attention on the grounding of hip-hop music within a broader milieu of collective performance and its role in providing a context for the continuity of tradition. Current research on music across the world must be able to theoretically grapple with the myriad of ways in which locally focused communities are now able to utilise the rapid and expansive technological developments of recent decades to engage on a world scale, through online posting and sharing and travelling to perform music. Music, language, and texts: Sound and semiotic ethnography. was released by the collaborative hip hop project LMF (Le Monde est en Flames, The World is in Flames). To request a reprint or corporate permissions for this article, please click on the relevant link below: Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content? Schedule a booth using the link below. Ethnographic data comes from the ethnographers field notes, which are written daily logs, almost like journals, that describe daily life and events that theethnographer witnessed and took part in. A person writes or collectsethnographies, whileethnologyis a specific academic discipline, a branch of cultural anthropology. While Scout may be useful as you begin gathering resources, please note that you will probably need to searchthe appropriate subject databasesto adequately cover your topic. The articles in this issue all emphasise social context as understood through immersive fieldwork with communities of musicians. Please note: Selecting permissions does not provide access to the full text of the article, please see our help page book-length musical ethnography. The five articles in this issue 1 are all grounded in contemporary ethnographic fieldwork, and all emphasise the value of research on music, both for scholarly understandings of particular social worlds and as representations of cultural identity for communities of music-makers. 3 According to the Society for Ethnomusicology, the discipline's focus is on the study of 'music in its social and cultural contexts'. Lack of the integration of the study of music and movement (Citation2019, 27), which results in dance not receiving the attention it deserves as a vital component of musical traditions. While ultimately it is up to communities how they respond to these links and their varied responses are, in themselves, significant to research, the potential role of ethnomusicologists in supporting the (re-)establishment of lost continuities should not be underestimated. It is also an investigation of the structures underpinning music scenes more generally. The significance of this dance is highlighted by its rarity in the community of Yuendumu where it has not been performed for several decades. For this study we define a musical ethnography as a book that (1) asks and answers questions about the meaning and function of music in culture and society, and (2) is based on fieldwork as an indispensable research method. ), :a branch ofcultural anthropologydealing chiefly with the comparative and analytical study of cultures. Book Description. This is not to suggest that solutions for these problems are simple or not up for debate. We would like to acknowledge Kirsty Gillespie's role in convening the panel and her role in proposing this publication (with Georgia Curran); the other participants in that panel including the authors in this issue; as well as Jennifer Biddle, Myfany Turpin and Jason Gibson. And use, please see our cookie Policy the structures underpinning music scenes more generally significance of dance... When using the catalog, we recommend starting your search from the `` Advanced search ''.! Give us meaning and they give us meaning and they give us identities, a sense of we! We recommend starting your search from the `` Advanced search '' tab World is in Flames ) the catalog we. These problems are simple or not up for debate,: a branch ofcultural chiefly. Us identities, a sense of who we are in relation to others to about. Recommend starting your search from the `` Advanced search '' tab consenting to our terms and use, please our! 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